the short story
the heroic epic
the morality play
the romance
26 April 1567
26 April 1566
26 April 1565
26 April 1564
14 th
15 th
16 th
14 th and 16 th
An allegory
An epic
A ballad
A sonnet
The Faerie Queene
The shepheaedes Calendar
Complaints
Colin Clouts come home again
Bede
Sir Thomas Malory
Geoffrey Chaucer
Caedmon
Anthony and Cleopatra
Hero and Leander
Troilus and Cressida
Apollo and Hyacinth
England
Italy
France
Germany
a musician
an astronomer
a nun
None of the above
Beowulf
Arthur
Caedmon
Augustine of Canterbury
Geoffrey of Monmouth
the Gawain poet
the Beowulf poet
Chr�tien de Troyes
Mephastophilis
beelzebub
Aamon
None of the above
Valdes and Cornelius
Rosencrantz and Guildenstern
Troilus and Cressida
Pyramus and Thisbe
the Battle of Agincourt
the Battle of Hastings
the Norman Conquest
the War of the Roses
French
Norwegian
Spanish
Hungarian
1386
1300
1343
1350
Thomas Nash
Thomas More
Thomas lodge
Thomas Wyatt
Wittenburg
Sorbonne
Heidelberg
Cambridge
Robert Greene
John Milton
Philip Sidney
Christopher Marlowe
Elizabeth Wilton D/O Lord Grey De Wilton
Elizabeth Raleigh D/O Walter Raleigh
Elizabeth Boyle D/O James Boyle
Elizabeth Boyle D/O Richard Boyle
Colin clouts come home again
Faerie queen, first three books
The Shepherds calendar
Faerie queen, second three books
Edmund Spenser
John Donne
Shakespeare
John Milton
Shakespeare
Christopher Marlowe
Edmund Spenser
john Milton
Edward III
Richard II
Henry IV
None of the above
Satan
Jesus
Adam and Eve
Only Adam
Romantic love is a guiding principle of moral conduct.
Its formal and dignified use of speech was distant from everyday use of language.
Irony is a mode of perception, as much as it was a figure of speech.
Christian and pagan ideals are sometimes mixed.
Allegory
Epic
Sonnet
Ballad
Nicholas Udall
Thomas Colwell
Lord Burghley
None of the above
Lazarus
Solomon
Barabas
Shylock
Troy
Carthage
Sparta
Persia