A sculpture that is meant to be viewed from all angles
A sculpture that incorporates movement
A sculpture that is attached to a flat surface
A sculpture made entirely of glass
C. A sculpture that is attached to a flat surface
Casting
Modeling
Carving
Welding
Sculpture made from kinetic sand
Sculpture that moves or has moving parts
Sculpture made entirely of recycled materials
Sculpture that is created using 3D printing technology
The space around and between the subject matter
The space within the subject matter
The space above the subject matter
The space below the subject matter
Carving
Welding
Modeling
Casting
A sculpture that is meant to be viewed from all angles
A sculpture that incorporates kinetic elements
A sculpture attached to a flat surface
A sculpture made entirely of found objects
A sculpture that is meant to be viewed from all angles
A sculpture that incorporates movement
A sculpture that is attached to a flat surface
A sculpture made entirely of glass
The way a surface feels to the touch
The arrangement of elements in a composition
The use of color and value in a sculpture
The illusion of depth in a two-dimensional artwork
Layers of paint
Pieces of the material
Adhesive substances
Additional forms
Adding a protective coating to a metal sculpture
Applying color and finish to a ceramic piece
Joining two pieces of metal together using heat
Creating a textured surface using small pieces of material
Stone
Glass
Bronze
Wood
To hold the piece together structurally
To provide a smooth surface for finishing
To add color and texture
To attach multiple pieces together
Freestanding
Kinetic
Bas-relief
High relief
Modeling
Carving
Casting
Welding
It refers to the angle from which the artwork is meant to be viewed
It is the emotional reaction of the viewer to the artwork
It is the artist's personal interpretation of the subject matter
It is the historical context in which the artwork was created
Bas-relief
High relief
Freestanding
Linear sculpture
The arrangement and organization of visual elements in a sculpture
The process of applying glazes to ceramic pieces
The combination of different materials in sculpture
The balance of colors used in an artwork
An object that has been lost and rediscovered
An object that is traditionally used in sculpture
An object that an artist discovers and incorporates into their work
An object that is only found in museums
A large-scale sculpture
A small-scale model or sketch
A type of pottery glaze
A form of kinetic sculpture
Patina
Bisque
Glaze
Slip
Modeling
Sgraffito
Bas-relief
Impasto
Soldering
Welding
Forging
Riveting
Sintering
Glazing
Patination
Maquette
Unfired, raw clay
Clay that has been fired once but not yet glazed
A type of glaze used for pottery
A tool used for carving pottery
An object that has been lost
An object that an artist discovers and uses in their work
An object that is commonly used in traditional sculpture
An object that is only found in museums
High relief
Bas-relief
Freestanding
Linear sculpture
Sgraffito
Incising
Mosaic
Impasto
Bisque firing
Sintering
Glazing
Kiln firing
Line and shape
Value and texture
Color and form
Perspective and composition
The forms project significantly from the background
The sculpture is intended to be viewed from a single perspective
The forms are carved into the surface
The sculpture is attached to a flat surface
To serve as a final, large-scale version of the sculpture
To provide a small-scale model or prototype for planning and visualization
To apply a finish or patina to the sculpture
To create an armature for structural support